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Do I Need Permission to Use a Quote or an Interview?

As you write your own book, you may find you want to use material that has been previously published.  You might want to cite a research study, or use a quote from a famous person.  In some situations, you are free to do that, but in many others you have to request permission from the organization that published the information or from the person who you want to quote.

These are some general guidelines to help you determine what materials require permission, and to give you some tools for doing that. You should have your manuscript reviewed by an intellectual property attorney or permissions professionals if you have any doubts about whether a piece needs permission or not.

As author, whether you find a traditional publisher, or are self-published, are responsible for

•    Determining what you must obtain permission for in your manuscript
•    Obtaining that permission in writing from the copyright holder
•    Paying any fees involved in obtaining that permission

It might seem like requesting permissions would be an easy process, but it can take months for some copyright holders to reply to your requests. So it is important that you initiate requests to reprint items that require permission as soon as you know you will have them in your manuscript.

Many authors think they want to use quotes from lots of people.  It is common to consider using an opening quote to set the tone for each chapter.  But to the extent possible, you should consider NOT using work from other sources.  Using others’ work too much actually decreases the power of your work, and adds to the complexity of preparing a manuscript.

In particular, you want to avoid using song lyrics, poetry or sections of literary works, unless they are integral to your book, and you plan to spend the time and money to get the rights to use them.

Most of the time, you are better off summarizing information or rewriting it so that it bears little resemblance to the original but still contains the important information.

Ownership of Intellectual Property

The owner of the intellectual property you want to use has the right to say no to your request, or to allow your use the material for a fee, which may be substantial.  The owner will probably want to know how you are using the material before giving permission.

Think about your own work.  Would you want someone to quote you without your permission in a work that you didn’t like or agree with?

You should never go to the printer with a book before you have all the permissions because you assume you will get them.  You may not, and then you would have to destroy all the copies.

Copyright Law and Fair Use

Depending on the source, length, or nature of a quotation, permission from the copyright holder may be needed to use his or her work. So, how does an author determine how much material, if any, may be quoted from copyrighted publications without first obtaining permission? The Copyright Law tries to answer this.   It is written very generally, to take into account such factors as
•    The purpose and character of the use of material from a copyrighted work (materials used for profit are held to higher standards).
•    The nature of that copyrighted work.
•    The amount and substantiality of the material used in relation to the entirety of that copyrighted work.
•    The effect of the use upon the potential market for or value of that copyrighted work.

Although authors wish it did, the copyright law does not spell out quantitative measures (such the percentage of or certain number of words of) copyrighted material that you can use without getting permission.  This is a very subjective thing, and unfortunately, occasionally is decided in court after an infringement of copyright lawsuit.  But you should err on the side of caution and get permissions whenever you are in a gray area.

Case Studies, Interviews, and Research

Many non-fiction authors use case studies and interviews to add the human element through stories to their work.  This is an important technique and is important in creating a good book.  Whenever possible, the best approach is to disguise beyond recognition the identities and circumstances of individuals quoted or referred to in interviews or cases or examples. Generally you should use a changed first-name only to identify people, and use such generalities that many people could be that person you write about.

If you are an attorney, a psychologist, or a coach, for instance, you may want to use examples from your own practice.  But there is a strict right to privacy of your clients, so you must be very careful not to violate that. 

If you attend seminars, you must be careful not to directly use material you heard.  This can be particularly difficult if you are a life-long learner and listen to many other experts – what is yours and what did you get from somewhere else?  The burden is on you to make sure you don’t take what doesn’t belong to you, so you need to err on the side of not using something you aren’t sure of, or rewriting it.

Many non-fiction books also include disclaimers on the copyright page, using language such as: “Any similarity to actual people or companies is purely coincidental.”  But this does not excuse you from taking great pains to hide these identities.

Getting Permission

You will probably have to figure out first who actually owns the material you want to copy.  Most likely it is the publisher of the material, but may also be the author of the material. 

If the publisher no longer exists, the rights would likely have reverted to the author.  If the author has died, then the estate probably owns the rights. 

Once you determine the owner, you need to send a letter or email and ask if the copyright owner will grant permission.  You will want to send a form with your letter that tells exactly how and under what circumstances you will use the material.

If you are working with a traditional publisher, that publisher will probably have forms they want you to use that cover all the rights they want you to obtain.

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